I still remember the day I discovered the family atlas (I must have about five; it then lived in my room, and my dad was probably irked, but too kind and encouraging to show it). Since then, I have been mesmerized by maps. How lucky I am to turn an early passion into a focus of research and teaching (I am a Classicist and Historian of Ancient Science). My publications include studies of narrative maps in Greco-Roman literature (they too were mesmerized by maps). You can find maps in the most unexpected places!
I wrote
Conceptions of the Watery World in Greco-Roman Antiquity
Never intended simply as a vehicle for giving directions from one place to the next, maps are translations of the topographical world. And translation is an act of interpretation.
That is one of the many things I like about this book: Monmonier looks at maps from different angles to explain the tricks that modern mapmakers have in their toolkits to distort data (this is nothing new; two thousand years ago Ptolemy fretted over the distortion caused by projecting a three-dimensional space, the spherical earth, on a two-dimensional surface).
How do maps lie? Scale, symbols in the key, distracting colors, selective data. What is the map’s purpose? Is it an advertisement or political propaganda? Is the map deliberately vague, inaccurate, or even just out of date?
An instant classic when first published in 1991, How to Lie with Maps revealed how the choices mapmakers make--consciously or unconsciously--mean that every map inevitably presents only one of many possible stories about the places it depicts. The principles Mark Monmonier outlined back then remain true today, despite significant technological changes in the making and use of maps. The introduction and spread of digital maps and mapping software, however, have added new wrinkles to the ever-evolving landscape of modern mapmaking. Fully updated for the digital age, this new edition of How to Lie with Maps examines the myriad ways that…
In this beautiful book, Maier guides her readers through the parallel development of Rome (imperial city, Holy See, thriving center of art and intellectualism) with the evolution of mapmaking.
I like the clear way that she shows how the changing city helped inform transitions in how and why maps are made. For example, medieval maps of Rome forefront of the city’s five churches, while downplaying other features, and give the cloistered monk (and modern reader) the opportunity to trace an imagined pilgrimage (I spent many childhood hours with the family atlas imagining my own journeys to faraway lands).
Only in the 19th century, when travel for pleasure becomes widespread, do maps of Rome (and elsewhere), advertising their sponsors, become more utilitarian, enabling tourists to find their own ways, and supplying cheap souvenirs.
One of the most visited places in the world, Rome attracts millions of tourists each year to walk its storied streets and see famous sites like the Colosseum, St. Peter's Basilica, and the Trevi Fountain. Yet this ancient city's allure is due as much to its rich, unbroken history as to its extraordinary array of landmarks. Countless incarnations and eras merge in the Roman cityscape. With a history spanning nearly three millennia, no other place can quite match the resilience and reinventions of the aptly nicknamed Eternal City. In this unique and visually engaging book, Jessica Maier considers Rome through…
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine,…
2500 years ago, Pytheas, a clever Greek explorer, figured out latitude.
While there has always been a concept of longitude, it proved impossible to pinpoint, until... Sobel and Andrewes engagingly unravel the cipher of longitude that was cracked by the plucky John Harrison (he created the right tool, a clock that kept accurate time at sea: why is this important? Read the book!).
Convinced that the solution could only be astronomical, the scientific community was not amused. It was a dramatic conflict between the skeptical Board of Longitude (probably also jealous) and the skilled workaday carpenter-turned-clockmaker whose solution to navigation’s oldest puzzle was banausic.
In the end, our hero, the underdog, prevails (even if it took 250 years for Harrison to receive the respect he so richly deserved and earned).
The Illustrated Longitude recounts in words and images the epic quest to solve the greatest scientific problem of the eighteenth and three prior centuries: determining how a captain could pinpoint his ship's location at sea. All too often throughout the ages of exploration, voyages ended in disaster when crew and cargo were either lost at sea or destroyed upon the rocks of an unexpected landfall. Thousands of lives and the fortunes of nations hung on a resolution to the longitude problem. To encourage a solution, governments established prizes for anyone whose method or device proved successful. The largest reward of…
To my mind, the British Ordnance Survey Maps are the gold standard: these super-detailed maps are my most highly treasured souvenirs of a research trip in my graduate school days.
From the map I recognized every hillock and bend in the road I passed on my Hadrian’s Wall hike. With an Ordnance Survey Map, you know exactly where you are in the UK. Hewitt nimbly relates that story, weaving together history and science, nationalism, and cartography.
Besides this being an important and underappreciated slice of cartographic history, the book is simply a joy to read. When I look at my Ordnance Survey Maps now, I don’t just see marks on a two-dimensional surface, I see the faces of those creative and visionary men and recognize their Herculean efforts.
'A gripping story about the personalities who initiated the mapping of Britain and their extraordinary skill and endurance' Max Hastings, Sunday Times
The Ordnance Survey is a much beloved British institution, but in our modern map-obsessed world how much do we know about its curious origins and extraordinary challenges? Here at last is the remarkable story of the creation of the first complete, accurate, affordable map of the British Isles. What it reveals is a colourful and engrossing secret history of the Ordnance Survey and the obsessive and ambitious men who dreamt and delivered it.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Finally, you can’t talk about maps and not talk about sea monsters.
Want to buy a sea monster? Van Duzer tells you how! Given my professional (and personal) interest in cartography, water, sailing, and animals, this book absolutely had to appear on my “Best Books” list. It is very richly illustrated (115 color images), but is not simply a picture book.
Van Duzer’s narrative is engaging and informative. He explores terrifying and whimsical marine creatures that peopled Medieval and Renaissance waters (many are imaginary; some are more or less based on actual sea animals). And he situates them within the broader context of the individual maps, their impact, and marine biology.
Van Duzer thus helps his audience read European Medieval and Renaissance Maps more fully and richly.
The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gambolling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the 'marvellous' and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted…
Water in Greece and Rome. Most people automatically think “aqueducts.” But water is much more than hydraulic infrastructure. Here, I explore water in the Greek and Roman imagination. What is the world made of? In part, water. How are landmasses shaped? the interplay of water and land (here we get our maps). The four-element theory explained health and disease (water was one of those elements). And water (the Mediterranean) looms large in the Greek landscape (again, maps): the sea must be understood (storms, marine animals), explored (Hercules and Perseus fight sea monsters; Jason, Theseus, and Odysseus, also travel by water), and propitiated. Poseidon was not the only Greek god of the sea; sailors also worshipped Apollo, Aphrodite, and many others.
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
